I have a few reactions to some live shows which I thought I’d throw out there. These are from things I’ve seen in the past year or more. I won’t call them reviews – I don’t have the press releases a reviewer would get, so not as informed as I’d like to be. I’ll add detail where I can.
The first is Lyle Lovett at the State Theatre in Sydney back on 29 March 2010. Here’s what I sent out to a friend at the time:
I was so impressed. I have a DVD of him performing mostly his jazz stuff, with a guest appearance by Randy Newman and the two of them performing their work for the Toy Story franchise. Whilst the music was fantastic, and the Large Band a treat, frankly I found it a little lacking. I now realise why. The difference when you see him unedited and live is the chat between songs, which reveals more of his wit and warmth. And charm. The man is the consummate gentleman and extremely gracious – even in the face of those inevitable moments when people shout out from the back but clam up when Lyle actually tried to engage.
What I didn’t realise is that Lyle appears to have a studio band and a live band – with only one member from his studio lot joining him on the road (Viktor Krauss – brother of Alison Krauss). There was an interesting set up – very pared back. No drums – just bongos, a cello, Viktor Krauss on electric double-bass, and two fellows from a bluegrass background who blew me away. Keith Sewell played lead acoustic and mandolin and has a voice entirely suited to bluegrass with its nasal twang, and Luke Bulla played mostly fiddle and lead acoustic on a couple of songs. His voice is lovely – it has a lot more clarity and resonance and blends beautifully with Lovett. These two have been playing bluegrass since they were six years old and have known each other since then. They are only in their thirties or so, but it’s clear there is only bluegrass in their veins.
And I think Lyle and the band would have to be the sharpest dressers on the road. Ever.
Of course Lyle’s guitar work makes you realise how technically good he is. And the voice. That’s what you go for and it doesn’t disappoint – that catching, dry, almost faltering but somehow rich sound which is quite unique and delivers as emotively live as in the booth.
The effect of the sparse backing band is that he has been able to recreate the mood of Joshua Judges Ruth, whilst the bluegrass guys made the newer stuff from Natural Forces really work well. ‘Pantry’, ‘Farmer Brown/Chicken Reel’ and the title track were all superb.
For me the only downside of bongos with brushes is that you lose some of the drive behind some of the songs from The Road to Ensenada which is my personal favourite of his albums. ‘I Can’t Love You Anymore’ and ‘Private Conversation’ just missed that kick which is what I love about them. That said, it does inject a new feel to the songs and you start hearing them differently. And that’s a pretty petty criticism for a performance which delivered in so many ways.
I was on a total high after this show – and after watching live videos, I hadn’t expected to be. Then again – how could I not? I’m a fan for a reason – he’s one of the smartest, wittiest, sharpest, most talented singers and musicians I know of. I have almost all his albums. Why was I surprised?
His My Space page has some tracks from Natural Forces for free download – and I highly recommend ‘Pantry’. You can also demand that he comes back to Sydney (column on the right lets you DemandIt). Go on, I did. Because I, for one, hope he gets back here soon.